Lady Adventure

The Plight of the Acrylic

You can tell by my silence that I've been a very busy woman - I don't need to tell you that Gingerbread Ladies have to work flat-out in the Christmas season. But because we are encouraged to think of others at this time of year, I would once again like to indulge in some seasonal do-goodery and prick your moral conscience on a topic close to my gingerbread heart: The Plight of the Acrylic.

So grab your tissues and be prepared for an emotional rollercoaster. This post is especially for Susie from Useless Beauty, who is equally unafraid to tackle hard-hitting craft-related issues.

Once upon a time, there was no more common sight in Merry Olde Englande of the 1960s than the pastoral idyll of the Acryllic Shepherdess. These ladies - dressed impractically in poufy hoop skirts and big bonnets - kept a loving eye on the baby acryllics as they frolicked around the pastures and meadows of England's green countryside, occasionally sticking to trees in an excess of static electricity or burning to a small puddle of plastic when struck by lightning.

 The yarn spun from these little creatures was highly desirable: in fact, entire generations were clothed from and comforted by it. It was a desirable alternative to the scratchy wool favoured in the past: it didn't felt when washed inappropriately and, more importantly, the wearer didn't smell of wet dog when it got damp (and, frankly, if you lived in the British Isles, woolly socks and jumpers got damp a lot.)

But in the past decade or so, something has changed. Other yarns - fancier yarns with artisan titles - became more popular. In fact, slapped with adjectives like "sumptuous" or "luxurious" or "decadent", yarn became sexy:
And with it came a nasty wave of anti-acrylic sentiment, leading to some very regrettable bullying: